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Stovepipe Wells, Death Valley, 2019

I did this chalk pastel drawing in Death Valley while on a family road trip around the western states. At the time, we were settled into our campsite; the kids were happy in the pool, and I was free to do some pleinair art. I found just the right place to sketch, next to an old fire truck. Happily, the evening light cast some fine shadows. 

2019 was the year I started using chalk and toned paper to do my pleinair drawings. From the outset, I realized that I could combine my background skill in perspective and composition with depicting volume with white chalk. This shift happened slowly, but since the time of this writing – 6 years after this drawing – I now compose most of my pleinair work on either toned paper, as I use here, or pieces of wood that have a tonal quality close to that of paper. 

a photo of a pleinair drawing of stovepipe wells in Death Valley, by Jonathan Machen

Stovepipe wells pleinair location

I have discovered a lot about using chalk pastel as a medium. On location, chalk is handy because you don’t have to mess with paint; as you can see in the drawing above, by using just black pencil and white chalk, you can actually get a number of tones; when the dark pencil lines are worked over by chalk, you end up with a cool blue shade, which can be useful in depicting mid-tones. 

Stovepipe Wells, Death Valley, 2019
ClientMyselfYear2019AuthorJonathan MachenMediumchalk pastel on toned paperShare

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